Previous Issues


WASTELAND REVIEW ISSUE 2:

nina tender soul with scales- t.r. san

The Truth Is What I Make It- Suze Kay

Letter to X- Ken Meisel

Puerto Princesa Subterranean River- Aylli Cortez

Oak Hill Cemetery- Ace Boggess

june, or a strange name- Mo Buckley Brown

The Same Sun in a Relative Way- Elijah Woodruff

Seekers- Katie Beswick

I handle rejection as well as the next person- Lori D’Angelo

Early Years Forgotten? I See Nothing but My Youth in the Shadow Play- Michael Hammerle

The Blooming Cherry Tree- Mario Duarte

The Gardener- D.W. Baker

Scapelight- Emma McCoy

Space Frame #12- Taylor Brunson

Safety Measures- Xiadi Zhai

Three Black Sons, Three Black Mothers- Martheaus Perkins

Short Bio- Alfred Fournier

your Music, our Virus- R.P Singletary

Streaming Dreams Where Mom Didn’t Have a Baby- Martheaus Perkins


WASTELAND REVIEW ISSUE 1:

Wants– Thomas Zimmerman

Pilgrimage– Justin Lacour

Tiresias Up The Bayou– Shome Dasgupta

Bait Barge– J.D. Clapp

Never Write Another Word– Brayden Norris

Cuttlefish– Kirk Millis-Ward

Dog Y(e)ars– Denzel Joyson A.J.

Couplings for the Dover Demon (or , on Teenagers Seeing Something They Can’t Explain)– Casey Garfield

Palimpsest– Israel Okonji

Changing of the Gods– Victoria Garton

Thoughts in Adoration– Justin Lacour

Wishing Well– Ryan McCarty

Scribble, Now– J.D. Clapp

IN THE EVENT OF IMPENDING NUCLEAR DISASTER– MADDY SNEEP

Chandelier Palaces– Shome Dasgupta

Late Summer Funeral– J.D. Goodman

Park Bench– Al Fournier

Two Rotten Leaves– Özge Lena

The lake nights– E.G.N. Lafleur

As I Wonder If You Really Love Me I Think About Jon and Sandy– David Kirby

How to Become a Mermaid Black Gurl– Zuggie Tate

Breezewood Suite no. 5, 10:30 AM– J.D. Goodman

Follow us on X (Twitter) for our latest news and updates!

Wasteland Review is searching for raw, evocative writing. Poems with grit and soul. Send your best to wastelandlitmag@gmail.com

Subscribe to our newsletter and receive our very latest news.

Go back

Your message has been sent

Warning
Warning
Warning.